The Frederick Collection of Historical Pianos Overview & Contact Data

me The Frederick Collection of Historical Pianos Collection Updates Events Study Center Recordings In the News In Publications Our Mission Donations Contact Welcome to the Frederick Historical Piano Collection Located in Ashburnham, Massachusetts Our Historical Piano Collection View the entire Collection An Introduction to the Piano Collection by Edmund M. Frederick, Owner / Curator / Restorer Courtesy of Daesik Cha Updates, Fall, 2025 The Piano Collection We continue hosting Piano Collection tours for groups and individuals, pianists and students, and members of the music-loving public. Tours can be scheduled by appointment, for most days of the week, by phone (978) 827-6232 or by email at piano.fred@juno.com. A typical tour takes three hours, due to the number and variety of pianos to be encountered; musicians frequently stay longer to explore the instruments in more depth. Concerts See our Fall, 2025 schedule below for dates, program details, and musicians’ bios and photos. Admission is $20.00 per person, children and students, free. Season passes are available on request, offering seven Fall, 2025 concerts for the price of six ($120.00) with a free guest pass, to introduce a new person to these concerts. Any unused portion of the pass will be counted as a tax-deductible donation. Concert Videos One of the few positive offshoots of the pandemic is the newly expanded use of technology; all of our concerts are being recorded with video, and posted on our own YouTube channel, Music from the Frederick Collection. The high-fidelity audio, by our recording engineer, Christopher Greenleaf, is synchronized with his video footage, chosen from two camera angles by pianist/videographer, Daesik Cha, who also supplies the titles of the works being played. The resulting videos, posted a few days after each concert, make the performances available at any time, and at no cost, to those: Too far away to attend in person – anywhere in the world Not wishing to drive, for whatever reason Hesitant to attend in-person events due to Covid With schedule conflicts on concert days Who enjoyed a concert and want to hear it again Who have just learned of the concerts, and want to sample some Events Concerts are held at the New Dawn Arts Center/Ashburnham Community Church, 84 Main Street (Route 12) at the corner of Chapel Street, Sundays at 3:00 PM. Admission is $20.00, students and children, free. All pianos are from The Frederick Collection of Historical Grand Pianos. Sept 7, 2025 Duo Mìlǔ, violin; Pamela Liu, violin; Hwaen Ch’uqi, piano by Johann Nepomuk Tröndlin, Leipzig (ca. 1830). From the Classical into the Romantic. Sept 14, 2025 Daesik Cha, piano by Johann Nepomuk Tröndlin, Leipzig (ca. 1830). Schumann & Mendelssohn. Sept 21, 2025 Helen Lyons, soprano; Elaine Greenfield, piano by Erard & Cie., Paris (1893). Belle Époque, Récital de mélodies françaises. Sept 28, 2025 Kiran Trio: Zoia Bologovsky, violin; Dorothy Braker, violoncello; Amira Acre, piano by Erard & Cie., Paris (1840). Franz, Fanny & Felix. October 5, 2025 Olga Vinokur, piano by Erard & Cie., Paris (1893). Virtuoso Pianist-Composers. Works by Rachmaninoff, Liszt, and Chopin. October 12, 2025 Matthew Odell, piano by Erard & Cie., Paris (1860). Works by Johannes Brahms. October 19, 2025 Thomas Pandolfi, piano by Erard & Cie., Paris (1893). A High-Romantic Recital. View All Previous Events Study Center Our Historical Piano Study Center remains open throughout the year for visits and tours by appointment. Contact us at (978) 827-6232 or by email to make arrangements to visit. Learn about the Study Center Recent Recordings from the Frederick Piano Collection The Brahms Age: Complete Johannes Brahms violin sonatas using historical instruments. Daniel Kurganov, violin, Constantine Finehouse, piano. Haenssler Classics record company. Sonatas One and Two were recorded with the J.B. Streicher und Sohn piano, Vienna, 1868, from The Frederick Collection. Two new CD albums, 2022: Pianist Elaine Greenfield's two-disc set, Ravel Compared, was released on the Navona label. One disc, recorded with our 1893 Erard, shows the music on the samemake and model as Ravel's own piano; the other disc is of the same repertoire as itmight have been heard in the United States, on a 1917 grand piano by Ivers andPond, of Boston. Pianist Yuan Sheng’s two-disc album of works by Schumann, recorded on our 1846 Streicher piano of Vienna, was issued on the Piano Classics label. Disc I: Davidsbündlertänze and Carnaval: Disc II: Kinderszenen, Waldszenen and Faschingsschwank aus Wien Like our many other CDs, these albums are available for sale at the Study Center and concerts. We can also take orders by mail. See all recordings The Frederick Collection, in the News Attuned to Pianos Harvard Magazine March-April, 2023 The Living Pianos of Ashburnham Musical Opinion Quarterly, London, England July-September 2021 Rare & Beautiful Music performed beautifully The Worcester Telegram & Gazette September 7, 2015 Stunning and Surreal Schubert The Boston Musical Intelligencer October 13, 2016 New England Sounds in a Country Church The Boston Musical Intelligencer September 8, 2015 360 Degrees of Romantic Bits The Boston Musical Intelligencer June 1, 2015 Joseph Smith Remembered at Fredericks' The Boston Musical Intelligencer May 4, 2015 See All Reviews The Frederick Collection, in Publications Read all about it! We have been making the rounds in the print-realm. You may have noticed us in the Grove, or already heard about the commentary on our collection. Come see why we're the leading location for historic pianos in New England. See All Published Articles Our Mission: Education through interaction. The Frederick Collection of Period Grand Pianos includes over twenty original pianos in playing condition, specifically, the sorts of pianos known to important composers from about 1790 to 1928. At present, there is no comparable collection of period, playing grand pianos in the United States. Most museum collections that include pianos focus on their decorative appearance rather than their musical value. Such instruments are rarely used for performance; perhaps two or three pianos in each of the other major collections in this country are maintained in regular playing condition. The value of a piano in context Piano was the most important solo instrument, for which the most music was composed, from the late 18th through early 20th centuries. Music from the late 18th through early 20th centuries represents the core of present-day piano repertory. Until around World War I, piano design was constantly changing. As in clothing fashion and furniture design, changes in taste do not necessarily mean improvement. Piano design changes reflect not only shifts in musical taste, but also ideals of technical perfection rooted as much in the Industrial Revolution as in music. Every composer wrote for the pianos he knew, capitalizing on particular musical effects available from those instruments. The same music played on a significantly different instrument will have a different sound, and not necessarily one the composer would have preferred. To hear and/or play the piano literature on an instrument such as it was conceived for, is to discover important features of the music. Effects unavailable on the standard modern piano (bass/treble balance, clarity of bass tone, tone-color changes over the dynamic range) become evident, enriching one’s appreciation and enjoyment of the music. Built on the Frederick Piano Collection, the Historical Piano Study Center offers lecture-recitals, master classes, seminars, workshops, tours and recordings. Located in a handsome, handicapped-accessible, renovated 1890 former public library building, the Collection is conveniently accessible to persons who value its resources, including pianists, musicians who perform with piano accompaniment, music scholars, teachers, students, music critics, piano technicians, builders of historic instrument replicas, concertgoers, and interested members of the general public. For more information, see our articles on changes in piano keyboard ranges, a different perspective on piano history, or how a piano works. Learn more about us Donations Donations to Historical Piano Concerts, Inc., both in-kind and monetary, are much appreciated, for the support of the concert series, the work of the Study Center, and toward building renovations and maintenance. via Cash: In person at the Study Center or Concert Series via Check: Write to Historical Piano Concerts, Inc. Please earmark your check to either the Study Center or the Concert Series, or "Where most needed". The corporation is a non-profit, tax-exempt public charity under Section 501(c)(3) of the IRS Code; donations are fully deductible, and will be gratefully acknowledged.